Fuller Noise Live Cover

Fuller Noise Live

Fuller Noise Live

Fuller Noise is a live audiovisual inspired by the research in geometric and static of the American designer Buckminster Fuller. By introducing error, asymmetry and redundant forms, the structural solidity of spatial configurations is compromised. The contemplation of an icy adamantine aesthetic is violently replaced by the unobjectionable, the unexpected event but loaded with new possibilities. (2020)

Double P Cover

Double P

Double P

This is a possible way of representing how the Dissociative identity disorder (DID), can be difficult to bear. In this audiovisual work, the performer's face is digitalized at the very beginning, and manipulated, superposed and mashed up to a theoretical 3d model of beauty, causing bleeding and loss of identity. (2019)

RMX resilience Cover

RMX resilience

RMX resilience

RMX Resilience is a psychedelic visual and sound journey through microscopic worlds,in which phases of great audiovisual impact alternate with moments of calm charged with tension and new omens.
Visual and Sound: Dies_ Additional sound: Menthos, Mud. Production: otolab 2016-2018

Resilience I

Resilience I

Resilience I

Resilience in engineering terms indicates the ability of a material to resist and absorb elastic deformation energy. The sound experience of the performance follows this formula, alternating phases of strong sound pressure with others of release that transform oppression into a new state of rebirth. Visual: dies_ , Luca Pertegato (xo00), Sound: dies_ Production: otolab 2016-2018

Artchipel Orchestra

Visuals for Artchipel Orchestra

Visuals for Artchipel Orchestra

Visuals live for Artchipel Orchestra, Teatro Fontana, Milan (2018)

Doublelass Cover

Doubleglass

Doubleglass

Doubleglass is a Hybrid form of a performative and installative works, simulating a interactive screen that react to the crystal boxes, creating a multilayer superposition of noise visuals and sound. (2017)

Visual for Ursss Cover

Visual for Ursss

Visual for Ursss

Visuals for Scald Rougish @ Macao Milan, a URSSS production. (2017)

Fields

Fields

Fields

Fields investigates in a universe of metal spheres that have been generated and are held together by magnetic fields. While crossing this microrcosm, particles become organic, subsequently turning into celestial gleaming bodies. The immersive experience allows looking upon a universe that may as well be a black hole, Solaris or a mass of potential energy, from which everything can begin again. Sound: Menthos, Dies_ Production: otolab (2015)

Visuals for Mika Vainio Cover

Visuals for Mika Vainio

Visuals for Mika Vainio

Visual performance for Mika Vainio live @ Alcatraz Milan. Otolab productions (2014)

Magnetic Variations Cover

Magnetic Variations

Magnetic Variations

DIES_ MAGNETIC VARIATIONS LIVE @ Live Cinema Festival in Rome. (2014)

Bleeding Cover

Bleeding

Bleeding

Bleeding is synaesthetic and synchronic (up to 400 BPM) performance live based on flickering and retinal persistence phenomena. One of two surfaces where the images are projected, is painted with phosphorescent pigments. So there’s interesting perceptual ambiguity between the real and retinal permanence of vision. Dies_ audio and visuals, Mud remix live audio (2012-2013) otolab productions.

Materia sonica dies_

Materia Sonica

Materia Sonica

Audiovisual performance for 2 paintings on metal and monitor video
Performers: Dies_, Accursio Graffeo, Davide Del Col
Camera and video composing: Martin Cannas
Camera and Video editing: Alberto Violante
Production: lacrimapictures.com.(2012)

Visuals for Sincronie

Visuals for Sincronie

Visuals for Sincronie ensemble

Visuals for Sincronie ensemble,
"Orizzonte degli Eventi" Jakarta. (2009)

LCM Les champs magnéthiques

LCM

LCM Les champs magnéthiques

LCM Les champs magnéthiques, audiovisual performance.
First prize at Celeste Prize, Berlin (2009).
Dies_ audio, Orgone Visuals. otolab productions.